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APRIL 1

JAZZ MONTH CELEBRATION


We’re kicking off our FUNdraiser with 24 hours of jazz programming curated by our own Jazz Director, Michael Fishman. This event is brought to you in partnership with the Ella Fitzgerald Foundation (http://www.ellafitzgeraldfoundation.org).

APRIL 5

MOVIE NIGHT


Join us in the Harris Hall Courtyard for an outdoor screening of Invisible War (http://www.notinvisible.org) from Academy Award Nominated Director, Kirby Dick. Co-presented with Program Board.

APRIL 7

BANDS AND BINGO AT GROUND ZERO


TIME: 7 PM to 10 PM

We’re partnering with GZ (http://www.usc.edu/student-affairs/gzcoffee) to bring you some rad students bands and a bingo game with awesome prizes (free milkshakes?). We personally can’t think of a better way to spend a Sunday evening at USC.

APRIL 7

DUBLAB TAKEOVER


TIME: 12 PM to 8PM

Tune-in for 8 hours of unique, live programming from DubLab (http://dublab.com), an internet radio station that’s exploring the possibilities of audio entertainment. There will be special giveaways, DJ sets, live performances, and more.

APRIL 14

KXSC FLEA MARKET


TIME: 12 PM to 6PM

KXSC welcomes vendors from USC and the surrounding community for our first-ever flea market! Snatch a grab bag of CDs from our Music Department, check out the wares for sale, and jam to some blissed-out Sunday afternoon beats from KXSC DJs.

APRIL 16

65 YEARS OF STUDENT RADIO


TIME: 10 AM to 8PM

Celebration of KXSC and the history of student radio here at USC, from the 1950's to today!

This event will devote an entire day of programming to every period of USC student radio's diverse history. On April 16th, we will be re-airing old programming and discussing the history of the station in order to celebrate our heritage and preserve it for future generations of DJs and staff.

Hear programming from all eras of college radio and interviews from passed DJs recalling all the trials and triumphs of being a student run college radio station

APRIL 19

BATTLE OF THE BANDS


TIME: 8 PM to 12 AM

Come on down to Tommy’s Place (http://tommysplaceusc.com) to see some of the best student and local bands duke it out for killer prizes. Grand prize is 5 hours of studio recording, on-air promo, and a website profile of the band. If you can’t make it in person, never fear. We’ll be broadcasting the complete battle live on air. This event is proudly co-sponsored with Spectrum (http://sait.usc.edu/spectrum/).

APRIL 24

ELLA FITZGERALD'S BIRTHDAY PARTY: 24 HOURS OF PROGRAMMED ELLA


Happy Birthday to the First Lady of Song! We’re celebrating with 24 hours of Ella Fitzgerald recordings curated by our Jazz Director, Michael Fishman. Much thanks to the Ella Fitzgerald Foundation (http://www.ellafitzgeraldfoundation.org) for their support!

APRIL 26

TRADDIES HAPPY HOUR


We’re partnering with Traditions (http://www.usctraditions.com) to bring you a special Traddies & KXSC happy hour, featuring live KXSC Djs, drink specials for students over 21 years-old, and food specials for all ages!

APRIL 27

RADIO KICKBALL


Come watch KXSC play a friendly tournament of kickball with other college stations (KXLU, UCLA, KSPC) while our sports DJs give a live play-by-play on-air.

APRIL 14 - APRIL 27

24 HOUR PROGRAMMING EXTRAVAGANZA


Tune in for two weeks of 24 hour programming by our beloved DJs!

Listen Live!
Sunday
Jan042009

Parliament Funkadelic and Sly Mother F***ing Stone

(Photo via pfunkjazz) Club Nokia really lived up to its name tonight, bringing the dance party in with Greyboy All Stars, George Clinton and Parliament Funkadelic, and a guest appearance by Sly Stone (affectionately introduced as Sly Mother F**king Stone). I'm not talking about a bit of toe-tapping or hip swaying; I'm talking about couples freak dancing, middle-aged men in suits harlem shaking, and synchronized fist pumping more brutal than what goes on at a Metallica concert. If there is any question after seeing the photo above, let me make it clear: George Clinton has still got it. There were at least a dozen people on stage including some original Funkadelic members -- my favorite being this gentleman. Sure, there were some technical difficulties (probably due to the massive wattage required by all the people on stage), but the crowd was compensated with a fascinating improvisational number including an extended version of "Get Off Your Ass and Jam" and Lil Jon's "Get Low". I could not tell who was having more fun: us or them. In either case, the energy was infectious. Sly Stone came out, recited a poem and everyone went wild with a collaborative performance of "Thank You". There were plenty of different people to please that night. One older fan asked me, "What do YOU know about George Clinton? What do YOU know about P-Funk?" ...and admittedly, I was not even born when he was in his prime. But I looked around me at all the faces in the crowd - young, old, ethnic, white, female, male, suited, literally blue collar - and everyone seemed to be having a great time. If you weren't there, then no worries. G.C. and the P.F. have plans to release new material in 2009 and most likely will bring the party back. (I should also mention the opener Greyboy All Stars. The San Diego six-piece was very reminiscent of The Meters, playing fresh bluesy funk. If you think you grew up in the wrong era and want to hear something more than a cover band, I would highly recommend them.)

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Monday
Dec082008

THE MAGAZINE IS OUT!

We'z gots 24 pages of glory for you.   Look for the colorful robot on the newspaper print. On campus and around the cool parts of L.A.   Lots of great features. PICK UP A COPY!!!

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Sunday
Dec072008

Sufjan and the City

Pairing image and sound is truly an art form on Youtube. The greats include John Edwards' obsessive hair combing with "I'm So Pretty" or that tearjerker Christian the Lion with a famous Whitney Houston ballad. In rare instances, however, music has not been used for irony, humor, or literal sadness. The following is an account of a perfectly complementary, under-appreciated example. In 1965, the city of Detroit commissioned a public, promotional film to address the problem of "white flight", where the middle-class fled for the suburbs and gently left the city's core in a state of degradation. The then mayor faithfully narrates a very scripted look at Detroit as a welcoming place for prominent citizens. Detroit: City on the Move takes cue from Berlin: Symphony of a Great City (1927), only with more focus on luxury restaurants, culture, and recreation than accurate portrayal of daily life. Sufjan has the great ability to assume character, as he attempts to do on his album dedicated to Michigan. In the case of Flint (For the Unemployed and Underpaid), he delivers a convincing first-person account of an auto worker caught in despair, the tentative nature of blue-collar workers in the auto industry. Watching Detroit: City on the Move inspires a stark mental contrast: nostalgic images of prosperity and leisure coupled with an understanding of the current state of blight and uncertainty. Sufjan's track Detroit, Lift Up Your Weary Head! (Rebuild! Restore! Reconsider!) bridges that connection with a message of understanding and an undertone of hopefulness. We can only hope for that same concern, especially from lawmakers considering the bailout of the Big Three... Watch/Listen.

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Sunday
Dec072008

Weren't there? Catch it through the Youtubes.

Daedelus plays KSCR show on Friday November 21, 2008 at Ground Zero Performance Cafe.

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