Sunday
Oct142007
Peanut Butter, Collected Animals, Closed Captioning for the Hearing Impared
Sunday, October 14, 2007 at 11:54AM
Last week marked a significant milestone in the indie music world. In this day and age, as obscure and less-marketed music constantly finds itself thrust into the popular culture spotlight, it becomes less shocking when an Of Montreal ripoff pops up in an Outback Steakhouse commercial, when Mates of State is shown touting AT&T phone service, when Bright Eyes graces the stage of The Tonight Show. Yet, despite these leaks of indiedom into the ‘real’ world, it still seems rather surprising that, of all the bands in the non-mainstream world, for Animal Collective to have been asked to perform on the Late Night with Conan O’Brien.
Who is the brilliant executive who ok’d this decision? (They must be a genius.)
Better yet, who’s the brilliant closed-captioner who, while watching the band’s performance of “#1,� decided these words would accurately describe the ethereality of the song to the hard-of-hearing?:
Honestly, were they unable to see that Noah Lennox, (AKA: Panda Bear) clearly does not possess any estrogen? Perhaps the captioner lacked his sense of sight, and had to rely upon his sense of hearing to communicate to those with the former and without the latter.
All joking aside, though, Animal Collective’s appearance on national television not only makes great strides in the world of independent music, but for the band themselves.
Strawberry Jam, the title of New York City-based band Animal Collective’s newest release, seems somewhat of a contradiction, for the sugary-sweet artificiality conjured up by the album’s name clashes horribly against characteristics of the group’s previous releases. Known for its revolutionary delves into uncharted areas of electronic psych-rock, Animal Collective—which consists of members David Portner, Noah Lennox, Josh Dibb, and Brian Weitz operating under the clever monikers of Avey Tare, Panda Bear, Deakin, and Geologist, respectively—push, often, into unsettling, confusing territory; sugar-coated and generic it is not.
However, despite the inherent contrasts which arise through the album’s name, Strawberry Jam, upon first listen, seems more of a delightfully fitting name than misguided misnomer. In fact, the album emerges as a collection of songs as accessible and easy to love as, well, strawberry jam.
Blending together their traditional high-register harmonies with intensely developed and intricately executed electronic instrumentation, Animal Collective seems to abandon their previous musical style—vaguely ethnic songs strongly influenced by experimental folk structures—on Strawberry Jam. The result emerges as an oddly fantastic one. Unexpectedly, the characters of Animal Collective jump from upbeat trip-pop—seen on track such as “Peacebone� and “Chores�—to mellow, reflective numbers, such as “Fireworks� at the drop of a hat. These constant shifts, however, work together perfectly, with each track building off their predecessor.
Performing on Conan may have been a public jumping point for Animal Collective, but Strawberry Jam should be seen as their long-deserved bridge between a discriminating audience and those who appreciate well-crafted music. So, pull out that white bread and peanut butter, and spread a liberal amount of Strawberry Jam onto your next afternoon snack.
Watch Animal Collective's national television debut here.
Who is the brilliant executive who ok’d this decision? (They must be a genius.)
Better yet, who’s the brilliant closed-captioner who, while watching the band’s performance of “#1,� decided these words would accurately describe the ethereality of the song to the hard-of-hearing?:
Honestly, were they unable to see that Noah Lennox, (AKA: Panda Bear) clearly does not possess any estrogen? Perhaps the captioner lacked his sense of sight, and had to rely upon his sense of hearing to communicate to those with the former and without the latter.
All joking aside, though, Animal Collective’s appearance on national television not only makes great strides in the world of independent music, but for the band themselves.
Strawberry Jam, the title of New York City-based band Animal Collective’s newest release, seems somewhat of a contradiction, for the sugary-sweet artificiality conjured up by the album’s name clashes horribly against characteristics of the group’s previous releases. Known for its revolutionary delves into uncharted areas of electronic psych-rock, Animal Collective—which consists of members David Portner, Noah Lennox, Josh Dibb, and Brian Weitz operating under the clever monikers of Avey Tare, Panda Bear, Deakin, and Geologist, respectively—push, often, into unsettling, confusing territory; sugar-coated and generic it is not.
However, despite the inherent contrasts which arise through the album’s name, Strawberry Jam, upon first listen, seems more of a delightfully fitting name than misguided misnomer. In fact, the album emerges as a collection of songs as accessible and easy to love as, well, strawberry jam.
Blending together their traditional high-register harmonies with intensely developed and intricately executed electronic instrumentation, Animal Collective seems to abandon their previous musical style—vaguely ethnic songs strongly influenced by experimental folk structures—on Strawberry Jam. The result emerges as an oddly fantastic one. Unexpectedly, the characters of Animal Collective jump from upbeat trip-pop—seen on track such as “Peacebone� and “Chores�—to mellow, reflective numbers, such as “Fireworks� at the drop of a hat. These constant shifts, however, work together perfectly, with each track building off their predecessor.
Performing on Conan may have been a public jumping point for Animal Collective, but Strawberry Jam should be seen as their long-deserved bridge between a discriminating audience and those who appreciate well-crafted music. So, pull out that white bread and peanut butter, and spread a liberal amount of Strawberry Jam onto your next afternoon snack.
Watch Animal Collective's national television debut here.
in New Music, News, Technology, Video
New Music, News, Technology, Video
Reader Comments (2)
[...] We first reported on the trend of small indie bands having their souls corrupted by the Advertising Goons way back in October of 2007 for Bandwidth. After the aftershocks of hearing Mates of State sing their praises for AT&T phone service, discovering that catchy Outback Steakhouse song was a cheap bastardization of Of Montreal’s “Wraith Pinned to the Mist and Other Games,” and learning of M. Ward’s fervent backlash at MasterCard’s illegal reproduction of “To Go Home,” Filed under: Indietastic, Music, Sketchtastic Article tags: arcade fire, extreme fail, inditastic, m. ward, mates of state, of montreal, sketchy, super bowl, television [...]
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