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APRIL 1

JAZZ MONTH CELEBRATION


We’re kicking off our FUNdraiser with 24 hours of jazz programming curated by our own Jazz Director, Michael Fishman. This event is brought to you in partnership with the Ella Fitzgerald Foundation (http://www.ellafitzgeraldfoundation.org).

APRIL 5

MOVIE NIGHT


Join us in the Harris Hall Courtyard for an outdoor screening of Invisible War (http://www.notinvisible.org) from Academy Award Nominated Director, Kirby Dick. Co-presented with Program Board.

APRIL 7

BANDS AND BINGO AT GROUND ZERO


TIME: 7 PM to 10 PM

We’re partnering with GZ (http://www.usc.edu/student-affairs/gzcoffee) to bring you some rad students bands and a bingo game with awesome prizes (free milkshakes?). We personally can’t think of a better way to spend a Sunday evening at USC.

APRIL 7

DUBLAB TAKEOVER


TIME: 12 PM to 8PM

Tune-in for 8 hours of unique, live programming from DubLab (http://dublab.com), an internet radio station that’s exploring the possibilities of audio entertainment. There will be special giveaways, DJ sets, live performances, and more.

APRIL 14

KXSC FLEA MARKET


TIME: 12 PM to 6PM

KXSC welcomes vendors from USC and the surrounding community for our first-ever flea market! Snatch a grab bag of CDs from our Music Department, check out the wares for sale, and jam to some blissed-out Sunday afternoon beats from KXSC DJs.

APRIL 16

65 YEARS OF STUDENT RADIO


TIME: 10 AM to 8PM

Celebration of KXSC and the history of student radio here at USC, from the 1950's to today!

This event will devote an entire day of programming to every period of USC student radio's diverse history. On April 16th, we will be re-airing old programming and discussing the history of the station in order to celebrate our heritage and preserve it for future generations of DJs and staff.

Hear programming from all eras of college radio and interviews from passed DJs recalling all the trials and triumphs of being a student run college radio station

APRIL 19

BATTLE OF THE BANDS


TIME: 8 PM to 12 AM

Come on down to Tommy’s Place (http://tommysplaceusc.com) to see some of the best student and local bands duke it out for killer prizes. Grand prize is 5 hours of studio recording, on-air promo, and a website profile of the band. If you can’t make it in person, never fear. We’ll be broadcasting the complete battle live on air. This event is proudly co-sponsored with Spectrum (http://sait.usc.edu/spectrum/).

APRIL 24

ELLA FITZGERALD'S BIRTHDAY PARTY: 24 HOURS OF PROGRAMMED ELLA


Happy Birthday to the First Lady of Song! We’re celebrating with 24 hours of Ella Fitzgerald recordings curated by our Jazz Director, Michael Fishman. Much thanks to the Ella Fitzgerald Foundation (http://www.ellafitzgeraldfoundation.org) for their support!

APRIL 26

TRADDIES HAPPY HOUR


We’re partnering with Traditions (http://www.usctraditions.com) to bring you a special Traddies & KXSC happy hour, featuring live KXSC Djs, drink specials for students over 21 years-old, and food specials for all ages!

APRIL 27

RADIO KICKBALL


Come watch KXSC play a friendly tournament of kickball with other college stations (KXLU, UCLA, KSPC) while our sports DJs give a live play-by-play on-air.

APRIL 14 - APRIL 27

24 HOUR PROGRAMMING EXTRAVAGANZA


Tune in for two weeks of 24 hour programming by our beloved DJs!

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Tuesday
Oct022007

Powerpop Bounces On...

When I first discovered and got into the genre 4 years ago, I thought Powerpop had more or less been dead for 10-15 years. I bought and downloaded every compilation I could find: the D.I.Y. series, the Children of Nuggets 4-disc set, anything that included "Yellow Pills" in its title, etc... There were plenty of compilations to find if you looked hard enough. And there was a reason why the sound quality sounded so poor: Everything was recorded in the 70s and 80s. Every now and then I'd discover a song from the early 90s, but generally I couldn't find anything substantial "powerpop" later than 1993. What happened to this once magical genre?

Yellow Pills




The Records, 20/20, Badfinger, Cheap Trick, The Motors, The Bats, the dB's, etc...



Their sound was seemingly terminated somewhere in the late 80s...

Rather than continue on about my frustrations... I'll get to the point. Powerpop got lost amid the punk movement and the MTV generation. Much of early punk was an outlash almost directly at the suburban spheres where Powerpop bands flourished. The two hated each other. Neither got much public attention and skinny guys in skinny ties were easy targets for the punks. Where does MTV fit in? I was a tyke when it started up in the 80s, but anyone from that era can tell you the music they featured was mainstream and still is. They weren't revolutionary because they featured music videos from underground bands, they were revolutionary because they played music videos (I'll give them credit for championing pseudo/post-powerpop bands, however. Read up and R.E.M., if you are interested).

There's no clear boundary in my mind it was more or less a gradual decrease in the number of bands cranking out jangly guitar-licks and straightforward lyrics about girls they are hopelessly in love with. The day came sometime last summer. I moved back to my hometown for 3 months to wash dished at a local restaurant and enjoy the scenery and culture of the Deep South. I think it was a dream I had or a hallucination... whatever it was it finally made all the elements crystal clear to me.

Theory:
Powerpop from the 70s/80s never fully died out. It simply became gradually less accessible to the public therefore limiting expose to the thousands of teens that form bands everyday and emulate their favorite groups.

It's not a nobel-winning theory, but I think it works. I realized this after coming across bands like Gentleman Jesse and His Men, Cause Co-motion, True Love, and The Nice Boys. All contemporary groups with sounds straight out of the late 70s. But why all of a sudden are they popping their heads up? Why not in 1995? Why not in 2000? It's my belief that downloading, blogs, and music forums have all enabled a new generation of impressionable teens to stumble across the genre that would have otherwise been forgotten. I mean... how did I find out about the genre? I read a thread about it on a music forum. Thank technology for allowing the cycle to continue.


The Nice Boys - Johnny Guitar



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