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APRIL 1

JAZZ MONTH CELEBRATION


We’re kicking off our FUNdraiser with 24 hours of jazz programming curated by our own Jazz Director, Michael Fishman. This event is brought to you in partnership with the Ella Fitzgerald Foundation (http://www.ellafitzgeraldfoundation.org).

APRIL 5

MOVIE NIGHT


Join us in the Harris Hall Courtyard for an outdoor screening of Invisible War (http://www.notinvisible.org) from Academy Award Nominated Director, Kirby Dick. Co-presented with Program Board.

APRIL 7

BANDS AND BINGO AT GROUND ZERO


TIME: 7 PM to 10 PM

We’re partnering with GZ (http://www.usc.edu/student-affairs/gzcoffee) to bring you some rad students bands and a bingo game with awesome prizes (free milkshakes?). We personally can’t think of a better way to spend a Sunday evening at USC.

APRIL 7

DUBLAB TAKEOVER


TIME: 12 PM to 8PM

Tune-in for 8 hours of unique, live programming from DubLab (http://dublab.com), an internet radio station that’s exploring the possibilities of audio entertainment. There will be special giveaways, DJ sets, live performances, and more.

APRIL 14

KXSC FLEA MARKET


TIME: 12 PM to 6PM

KXSC welcomes vendors from USC and the surrounding community for our first-ever flea market! Snatch a grab bag of CDs from our Music Department, check out the wares for sale, and jam to some blissed-out Sunday afternoon beats from KXSC DJs.

APRIL 16

65 YEARS OF STUDENT RADIO


TIME: 10 AM to 8PM

Celebration of KXSC and the history of student radio here at USC, from the 1950's to today!

This event will devote an entire day of programming to every period of USC student radio's diverse history. On April 16th, we will be re-airing old programming and discussing the history of the station in order to celebrate our heritage and preserve it for future generations of DJs and staff.

Hear programming from all eras of college radio and interviews from passed DJs recalling all the trials and triumphs of being a student run college radio station

APRIL 19

BATTLE OF THE BANDS


TIME: 8 PM to 12 AM

Come on down to Tommy’s Place (http://tommysplaceusc.com) to see some of the best student and local bands duke it out for killer prizes. Grand prize is 5 hours of studio recording, on-air promo, and a website profile of the band. If you can’t make it in person, never fear. We’ll be broadcasting the complete battle live on air. This event is proudly co-sponsored with Spectrum (http://sait.usc.edu/spectrum/).

APRIL 24

ELLA FITZGERALD'S BIRTHDAY PARTY: 24 HOURS OF PROGRAMMED ELLA


Happy Birthday to the First Lady of Song! We’re celebrating with 24 hours of Ella Fitzgerald recordings curated by our Jazz Director, Michael Fishman. Much thanks to the Ella Fitzgerald Foundation (http://www.ellafitzgeraldfoundation.org) for their support!

APRIL 26

TRADDIES HAPPY HOUR


We’re partnering with Traditions (http://www.usctraditions.com) to bring you a special Traddies & KXSC happy hour, featuring live KXSC Djs, drink specials for students over 21 years-old, and food specials for all ages!

APRIL 27

RADIO KICKBALL


Come watch KXSC play a friendly tournament of kickball with other college stations (KXLU, UCLA, KSPC) while our sports DJs give a live play-by-play on-air.

APRIL 14 - APRIL 27

24 HOUR PROGRAMMING EXTRAVAGANZA


Tune in for two weeks of 24 hour programming by our beloved DJs!

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Entries in New Kids on the Block (1)

Thursday
Oct022008

The Comeback Kid

A lot of artists in history (and a lot of artists these days) have been trying to make bank off of their past popularity. They seem to either reunite with their former bandmates and put out an album/go on tour, or just one of the band memembers scrambles to put out a solo record. Has anyone else noticed this? First let's talk about the most recent "hit" comeback group, New Kids on the Block (who may not have left an impression on many college students today seeing as they're... a little older). I remember my big sister listening to them on her tape player. Anyway, their new album recently came out, debuting at #2 on the Billboard 200, and they're currently touring around the U.S. selling out shows everywhere. But... did they come back with a quality cd? Are they money-mongers? Check out their summer success, cleverly named "Summertime", which is actually quite catchy. You do have to keep in mind how old these guys are. Is it respectable to be making music videos and teen-pop songs like "Summertime" when you're that old?     Next up on the agenda is the Spice Girls. Who could forget when they came to L.A. and rocked everyone's world? I didn't go the concert, but I can tell you that I didn't stop hearing their songs escaping from overly-jacked up iPod headsets, people's mouths, and various computer speakers in my dorm for WEEKS afterward. But, did anyone listen to their "comeback" song? The song did so poorly that they didn't bother releasing an album, but the tour was such a success they added several shows nationally and worldwide. Where's the new material? Cashing in nostologia can be great, but where's the comeback kid? The performer that comes back to show that they still have it, not that they had it, and they can repeat what they did before.     A little further back we also have the uber successful and vocally talented Mariah Carey.  After her Glitter bombed as a movie and as a soundtrack, her record label, Virgin Records, dropped her.  Then she signed on with Island Def Jam and released Charmbracelet.  Remember that one?  Not really, that's because it sorta bombed too.  Then, in 2005, the Emancipation of Mimi came out and all became well for the diva.  She won four Grammys and "We Belong Together" became a staple in pop culture at the time; it spent 14 long weeks at number one.  This past year, she followed up her comeback album with "E=MC²" which by all means was a success as well.  "Touch My Body" flexed it's chart muscle and became Mariah's 18th number one hit.  Should Mariah be labeled as best comeback of all time?  Are these two albums comparable to the hits that made her famous and respected in the first place?  (Emphasis on respected!)  I admit, "We Belong Together," was a pretty smart song to release at the time.  The charts were dominated heavily by R&B type songs. More recently, there's been a lot of buzz about Britney Spears trying to get her stuff together for a major record and tour package.  Though Blackout was slated to (maybe) be her comeback album, it fell short of people's expectations, especially after the VMA's and absolutely no promotion on her side to support the work.  The album was not condemned by critics and fans; it debuted at #2 and Rolling Stone even wrote, "When she's not gearing up for a meltdown, Britney's wielding more melting-ice imagery than An Inconvenient Truth: She's gonna "break the ice," "hit defrost on ya," 'cause she's "cold as fire, baby, hot as ice." Fire and ice — Robert Frost said the world will end in one of those two ways, consumed by passion or frozen by rationalism, and it's clear which option Brit will take. But meanwhile, she's gonna crank the best pop booty jams until a social worker cuts off her supply of hits."  Now, she's really gearing up for it, with a world tour in the works and a new album, "Circus" to come out in December, will the once "Queen of Pop" get it together for long enough to take the world by storm (maybe even take it away from Miley Cyrus?).  Do we hope so? Now tell me, who's your favorite comeback kid?

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